These seats will have the best view of the stage in the house. The only time you may have a restricted view in the Stalls is if the Circle overhangs, but this generally covers only the top of the stage which is rarely seen. Choosing central seats seems to be the best option in this theatre, even if you are a little way back.". We had perfect viewing seats in the stalls.". ", "A34: (Teresa Gustafsson). JUST DROPPED IN LEAMINGTON SPA - HEAD LEAMINGTON SPA - SEISMIC LEIGHTON BUZZARD - BLACK CIRCLE LETCHWORTH - DAVID'S MUSIC LOUTH - OFF THE BEATEN TRACK NOTTINGHAM - ROUGH TRADE OXFORD - TRUCK STORE WITNEY . BUT is also keen on row L 13 to 38, as central as possible as it has far more legroom and is second price on all except "peak plus" performances. If someone goes to the loo during the performance, you can hear the sound of the hot air hand driers! View other venues where you can see James Martin Live. ", "G20 and 21: "Sister Act" (June 2009) (Rupi). The leg room, however, was appalling; no-one over 5ft 5 need apply!". ", "P32/33: (Tim Powell). Just like the Mezzanine section in Broadway, the Royal Circle (also called the "Dress Circle") is the section right above the Stalls. Boxes B, C, BB and CC are at the sides of the theatre just below Dress Circle level. ", "D18 and 19: "Cats" (December 2014). You can see the dancing head to toe as well as all facial expressions. Excellent value. Slight slant on the seats, but still very comfortable. There was a safety rail in our sight line but its not overly intrusive. For the view, best seats in the house!". The people in the boxes would have had a more end on view but I think they wouldn't have missed as much of the set? After all that though, it was great to be so close and feel really immersed in the action - you could sometimes hear their actual singing over the speakers (which are directly in front of you). USE "BACK" BUTTON TO RETURN. "Row G: The Wizard of Oz (day rate seat): Although this is far right I don't feel I missed too much, only a couple of times at the most was a cast member hidden from view, by the side of the stage or the loudspeaker. One good thing about aisle seats though is that the actors come right up to you and interact at a few points and that was really fun! The stage is so high that we couldn't see the yellow brick road, the actors' feet, (which is pretty crucial with the red slippers), the Wicked Witch of the West in one scene and most of Toto because he was so small. Fab view. It is owned by LW Theatres and has strong connections to Andrew Lloyd Webber's Really Useful Group. The London Palladium Box Office is located within the theatre building on Argyll Street and is open Monday - Saturday 10am - 8pm and Sundays from 10am - 6pm. ", "H25 to 28: There seemed to be plenty of leg-room even for my husband who is 6 feet tall - however the bloke behind me seemed to find it hard not to keep kicking my seat especially during Do-Re-Mi which rather had me on edge for that number - a few choice stares seemed to make him realise he wasn't at home on the sofa able to lounge about regardless. If you need to see this show and are on a budget, row B is definitely the way to go, better to be second row stalls rather than the back of the upper circle - you feel so engaged in the show. At this car park, parking under the "Theatreland Parking Scheme" allows a 50% discount in cost. For events in general, visit www.lwtheatres.co.uk. Excellent view. ", Row R: We were seated right in the middle of row R in the stalls and found the view to be very good, apart from at the end where the escapees on the mountain were lost for a few seconds as the mountain turned. When not closed for hospitality, it should be a useful one to know to avoid interval crowds; Dress Circle 1 gents 2 cubicles, 1 ladies 10 and 4 cubicles respectively; Upper Circle 2 gents 2 cubicles, 1 cubicle respectively, 2 ladies 2 cubicles and 6 cubicles respectively. When you first sit down, you would be forgiven for thinking you'd screwed up. The London Palladium Beauty And The Beast Royal Circle section I row 54 seat mnurk The London Palladium Tedeschi Trucks Band tour: 2022 First level front row near center. Thanks to theatremonkey, we had already been warned of the lack of legroom and the metal rail running horizontally across the front of the upper circle, but we didn't find either of these a problem. 1910: The London Palladium was built by Walter Gibbons to compete with Edward Moss's London Hippodrome and Oswald Stoll's London Coliseum. "J1 and J2: (Edward). The people sitting on the front row a few seats to the right in front of us were constantly leaning forward, and it must have been annoying for those sitting behind. The view is OK but the position does induce vertigo in some non-treetop dwellers. This leaves 29 a little more cramped than usual. Owned by the London School of Economics and Political Science, the theatre is located in the same campus. From musicals to plays, the theatre has welcomed some of the biggest shows, including Mamma Mia!, West Side Story, and The Book of Mormon. Make sure you get the best view of James Martin Live at York Barbican. My somewhat shorter friend was helped by the fact the woman in front really really did not want to be there so sat for pretty much all the show so he had a pretty much unhindered view. Sitting centrally is best, however seats towards the ends of rows still offer excellent views and feel close to the stage. I arrived intending to buy day seats in the front row, but was told that as a student I could get better seats at the same price. So the front row seats would have a big vivid green hue in my opinion but for one flaw. Tall person in front didn't obstruct because of a decent rake. Even seven rows back here, the view was still great although I did get discounted tickets. NOTE: Seating Plans may vary from one production to another and these changes may not be shown. When in use row A (and often row B and even row C) seats often have the usual neck-achingly steep look upwards at the stage this time with added angles to contend with to see over the other side of the vast stage. Depending on the layout of the theatre, you can manage to catch a remarkable view from the high-up position of your seat. The buulding has also survived a German bomb during the World War II. and speaking to a woman next to me who was 5ft6 she said her view was fantastic too! Unfortunately picked the short straw with our seats. ", "N15: "Wizard Of Oz" (February 2011), (Suh). Leg room though is very tight so that's why I opted for two side seats - so me and my brother could swap over to stretch our legs in the aisle. Which Seats.com seat reviews by theatregoers. They warned us about the safety rail but for me (5.4), that wasnt a problem at all, I think it all depends on how you sit. The rake of the stage means that for average height people, this row is not too close and all of the stage floor can be seen. Due to the closeness and angle the mirror effect didn't really work too well as we were too low to see the reflection. You get to best appreciate this show from the stalls because of the audience interaction. I was worried but actually Row W still felt quite close to the stage. Legroom was fairly tight for me, being 6', but I managed to wedge myself in without too much knee ache throughout the evening. Day seats. I'd expect this seat to be 20 - 30 not over 45! Just right to feel part of the action and see the actors faces, without having to crane the neck". We Will Rock You tickets 020 3925 2998. www.lwtheatres.co.uk- the theatre group's own website provide the service for this theatre. Some London theatres have an additional section called the Balcony, which is right above the Grand/Upper Circle. Most readers feel that only the last 4 seats in each row should be avoided totally in these blocks, though purists may want to make that 8 to be on the safe side particularly as far forward as row F. Those in the front four rows or so of the side blocks may find actors backs blocking the view for a few short sequences of a production, choosing row G back minimises the issue. ", "C13 and 14:Sister Act. ", "V49: "Dick Whittington" (December 2017). If below five foot five tall, try any seat in the circle; all others use the stalls when in doubt. This is generally the smallest section and the highest from the stage, as in the London Coliseum Balcony case. ", "M41: Sister Act. Some of the raised action needed looking up slightly, but this was far from being a problem. (The monkey notes both the view and poor manners of the "leaning" people). Street parking is very limited - strongly advise using public transport. Poland Street, Soho. The seats at the Palladium are well raked and therefore even with a tall person in front of you, the stage is not obscured. Id definitely say if seats are available though, itd be worth paying a little more to be in the centre block up there, or at least closer to the centre aisles. I would recommend anyone to sit dress circle or mid to rear stalls rather than what is normally regarded as the best seats in near to front stalls. The Grade II listed building features an Italianate style interior; with sculpted wooden doors and intricately detailed ceilings, and neoclassical exterior. The view was excellent, no doubt helped in that nobody was sitting in front of us, and legroom was good. ", Row E: Sinatra. The only reason I booked here (again) was because I couldn't justify spending more on the tickets to sit elsewhere., "E34, 35, 36: "Goldilocks and the Three Bears" (December 2019). Loges are also known as Boxes. ", "Rows O to T 28 to 40: "Sister Act" (May 2009), (Gill). Although further back than our row I you will see everything really well. At the fifth price pick row E first, then D, F, G, H. Choose centre over side blocks for the usual reason of if all blocks are the same price, centre is best value, no? Also, row O (on the this side of the theatre at any rate) is directly opposite to the entrance to the Mens toilets. We were in Box CC which was just okay (slightly restricted view), but the people next to us in BB had to be moved half way through - couldn't see a thing thanks to large speakers in the way!! Could see all of the main elements of the production clearly. Grand Circle section 3 row 35 seat anonymous The London Palladium Joseph and the Amazing Technicolor Dreamcoat Can't see front right of stage without leaning forward but pretty good view otherwise Grand circle So it was only natural to employ the same architect, Frank Matcham. The seats were comfortable, as much as you would expect from a London theatre. I saw 90% of the show for a fraction of the price.". It was too far back to see or hear properly for me. Because of stepped rows, absolutely no issue with someone's head being in the way! Since we had a good view of the top left of the stage, I think that if we sat on the other extreme side (I42 and 43) we would have had a perfect view of the top right with the moon etc. Fine view, but were expensive through the agency we bought them from., "G23 and 24: (James regular reader). Accessible Seating. ABBA Arena Seating Plan - Best . ", "K12: "Scrooge" (October 2012). I'm 6' 2" and not only was there a mountain on stage I had one sitting next to me. Very good view for price paid. Such a shame. It didnt seem distant which it can do from the 6th row of some Dress Circles. Shorter folk will prefer centre block dress circle premium seats, feels the monkey. ", "D 13 to 15: "Sister Act," (Paul). SeatPlan, 35 Kingsland Road, London E2 8AA. They have informed me that the view was brilliant, they couldn't make out facial expressions, but and they didn't suffer from being next to the sound desk. Note too that the advance box office has a separate entrance at the left side of the building - a sign marks the entrance. Do also note that these seats suffer from the high stage though. ", "M43 to 46: Provided a fab view for only 25 and I don't think it would be worth paying an extra 10 for seats 4 rows in front, especially if those seats were towards the far sides of the theatre. Listed as restricted view due to safety bar but what they don't tell you (for The King and I at least) is that there's a light on that safety bar which completely obscured the front left corner of the stage where a lot of the actors spend their time. So, a good position in relation to the stage - so agree with 'fair value' rating for where we were; but for this row in the centre block I would say perhaps should only have a white rating and not green - same of course for G and H, so perhaps only rows L to O as green. "I40 and 41: "Cats" (December 2014). The seats were great! No fee for printing your own tickets at home or collecting them on the day at the box office. These seats were worth 20 at the absolute top price and were so uncomfortable my knees were sore. Day seats at 25 each. The prices charged do not always account for this problem, though. Prices below were compiled as booking originally opened. Le carnaval de Paris a fait son retour. No wonder they are the most expensive given they provide a great view. However, as soon as the lights went down and the curtain went up it became apparent there is a much bigger problem for all stalls Row B, C, D, E and F, probably G and H too. The only downside was they were a couple of rows too far back to get the full effect. Sat in row I, perfect sightlines. "A23, 24 and 25: "The Wizard of Oz" (February 2011), (Mila). If you have visited London Palladium, why not submit your image of the view that you had. Due the curve of the section, seats at the ends of the rows can feel restricted with a side-on view. I did miss the feet of the actors when they were near the back of the stage and developed a slight neck ache from looking up but I felt these were bearable at the ticket price. The production is planned in a way that allows the complete utilization of the stage and the performers also move around quite a bit. ", "V16 and V35: I went on a backstage tour yesterday, and took the chance to try out a few seats. Theatres use "dynamic pricing." My friend had booked these so I had no say in the seats and I dont think your fantastic website had been consulted! Wouldnt want to be any further forward though, or the stage is obscured. You are able to avoid the leaners in row A and those in row B who are trying to look over the top of the leaners. The awkward curve of the Upper Circle clips the stage severely until well into the row. ", Row B: "The Wizard of Oz" (February 2012). 25 years after its Olivier Award-winning West End debut, members of the original creative team have reunited on this new production featuring all of the spellbinding songs of Alan Menken, Howard Ashman and Tim Rice including Belle, Gaston, Be Our Guest and, of course, Beauty and the Beast. I didnt feel like we missed anything important staging / design wise. In Row I, I could just about see her shoes and I saw the dog perfectly. Intriguingly your seating plan shows the seats to our right (38 & 39) as red and those to our left (42 & 43) as green. W1V 1AD The Royal Circle is raked and generally has an excellent view from all seats. You are high up but far enough forwards for the stage not to seem too distant. The theatre was designed by architect C. J. Phipps. Also, whenever anyone goes into the toilet at the back of the theatre, the light from the lobby area manages to shine on the wood panelling in front of you, making it feel like someone is nearby with a torch. But as has been stated, do avoid these seats if you have children as they wont be able to see., "B 24 and 25: "I Can't Sing" (April 2014), (Kate Neaves). These front stalls seats are really not worth more than 20 a ticket. Lets look at the seating sections that fit the criteria below: Generally, Dress Circle or Stalls seats are preferred. ", "F 1 and 2: "Cats" (October 2015). Rows B to D suffer bar intrusion to the extent of being a mild annoyance neatly bisecting the actors at the waist. However, as others have said, shorter people and kids will struggle to see the shoes at times and I found it difficult to make out the witchs legs sticking out from under the house. The only disadvantage with this seat is that it is not on an aisle, which has its disadvantages in the interval. These are really minor issues I found though as being that close to the stage was great! Very decent legroom, I thought. The view from B and C is sideways but at least close - provided your chair is high enough to cope with the height of the stage. Myself and 2 children were these seats. If you're sitting in the first few rows of the stalls seats, you may even be able to touch the stage and see performers blink. Menus offer an entree, a soup or salad course, main meal and dessert. Rows E and F restricted view seats have particularly decent views for the prices charged. I must say these seats where fantastic! A reader notes this isn't usually a problem. XX15 is bottom price and not a bad deal if willing to accept the limitations. A lot of the action takes place quite far back on the stage so I would imagine that quite a lot would get missed. Was great for the view if a little tight in the leg space. Afforded very good views of the stage, but we couldn't see the right side and hence missed the whole of the part where the children bid goodnight to the party and ascend the stairs. Naturally, seats that work great for a musical wouldn't have the same effect for a play. Stand with your back to both it and the Oxford Street traffic. Walk up Argyll Street to Oxford Street, or along Great Malborough Street to Regent Street to hail a taxi in the street. ", "N27: "A Chorus Line" (February 2013). Upload your seat view photos to earn Rewards points and get money off theatre tickets! For seats right at the back we had a pretty decent view. Last time I was at the Palladium I was in the Upper Circle, and swore never again, but unfortunately the stall seats are only marginally more comfortable. And you dont have to be tall as Im only 58. The Wizard of Oz The leg room is OK, but not great, but unless you get a really tall person (or someone wearing a habit that they brought from the merchandise stand), your view should be unobstructed. I (being 511) thought the view was great from this location and was very happy with this price paid. Youre in the middle of the centre block, slightly impeded by the safety barrier but not a huge issue. No fee for printing your own tickets at home or collecting them on the day at the box office. We paid 25 for our tickets, and at that price you can't complain. Dead central and perfectly clear view of stage. The Upper Circle is the third level in the London Palladium, and is larger than the Royal Circle. a little tight leg-room wise but the view was excellent and at least, being the tallest, I had an aisle seat to stick my leg down!, "D 38 to 40: "The Wizard Of Oz" (February 2011), (Graham). The two trials of John Fries, on an indictment for treason; together with a brief report of the trials of several other persons, for treason and insurrection, in the counties of B Plenty of clearance for my knees and I never felt uncomfortable. ", J12 and J13: (Steph Nicholls). Food: Ice Cream and confectionery available. ", Row D: Sinatra (February 2006). Very central, slightly raised and a superb view. Although I thought they might be a little bit too far over to the left hand side, were actually really good seats with an excellent view. Once through the barrier, look to your left. The box office tries not to sell these seats to young people for that reason, and warns all buyers - a laudable policy which avoids problems, feels the monkey. ticket agenciesmay also offer an alternative choice of seats. I would say all the so called "day seats" offer views of barely 60% of the stage and miss many vital parts of the show. ", "C31 to 37: Sister Act, (James regular reader). Use our mobile apps to share photos & reviews or find a view on the go. I was in row I and there is a very obvious slope of the stage allowing sight of feet etc, not sure if that is any different from before but we had seats from row C back to J and no one made any comment about not being able to see feet etc. We were very uncomfortable. ", Row G: (LIF). Ticket agencies may sell for some events. 'Apollo, Shaftesbury Avenue, W.1 - Upper Circle, Dress Circle, Stalls'Vintage theatre seating 402443529204 Just like the Orchestra in other theatres, the Stalls section is closest to the stage. It also meant that every time he threw himself backwards he practically was in our laps!! * The sound was very good up there as well and for 18 it was a terrific bargain. I missed about 10 minutes of the show, where the actions happen deep into the back of the stage. Booster cushions for small children can be obtained from ushers. . Plan Your Visit To The London Palladium Theatre | LW Theatres Book Now About Accessibility Groups News Our Partners Hire Our Venues Search Account What's On Theatres Gold Experiences The Beat Goes On Mother's Day Gift Guide This site uses cookies. ", "G11 to 13: (Yvonne Coombes). These seats were great as we had a perfect view of the stage", "G33 and 34: "Scrooge The Musical" (December 2012). These seats offer very fair value and Theatremonkey prefers them to the Upper Circle on grounds of legroom, though accepts they are a tad more expensive. The London Palladium is one of the most iconic and beloved performance venues in the United Kingdom, and has a long history of hosting world-class acts. Hundreds of stars have played there, many with televised performances. The number "1" and lower case "l" and upper case "I" are commonly corrupted. Buy James Martin Live Tickets via Ticketmaster! If youre looking for a budget experience and want to choose between the front seats of Upper Circle and the last rows of Royal Circle, go for the first few rows of Upper Circle. The action is all obviously to the side and I would say you can't see about 25% of the stage nearest you in the corner. We only paid 20 for the tickets, as we got them through a friend, so I dont know if I would pay the usual 62.50 for them. The Dress Circle obstructs the view of the top right hand corner of the stage and because of the angle to the stage some of Stage Left, but you dont miss a single thing! I had to raise myself out of my seat to glimpse the feet of the wicked witch of the east sticking out from under the house. Located in the heart of the West End, it has seen countless productions grace its stage since its reopening in 1937. The views from rows E to M is fairly clear in both centre and side blocks. DO NOT BE TEMPTED TO TAKE FRONT STALLS. You/Your/Yourself - A person who has made a booking . ", "V1: My knees were wedged in which detracts from enjoyment. This section offers the best views in the theatre, with excellent overall views of the stage from every single seat. The Colliseum is home to many operas and the English National Ballet. . Remember, we paid preview prices of 45 each last night and the seats we were proposing to buy for my mother's 80th would have been 62.50 each all be it more central in the same row. "Row W: "The Wizard Of Oz" (February 2011). The booking process is provided by LondonBoxoffice.co.uk and booking fees may apply. ", "Row S: 'Sister Act (September 2009), (Mark regular reader). SeatPlan members have added 676 Upper Circle view from seat photos to help you book Headout London theatre ticket pages provide detailed information about their individual seat and aisle configurations, as well as maps that show where each seat is situated. The absence of any safety rail at the front also contributes towards a great view. A sound desk may irritate purists in V 21 to 29, W22 and 28 and XX 15, but most won't notice it. One of the ladies in our row practically clung to me on her way past to her seat, I was just disappointed it wasn't a young man!! For events in general - more specific information isposted when the theatre has a long-running resident production. A very clear view and excellent sound. ", Box BB: The Sound of Music. If legroom is an issue, pay more to take seats in the rest of the rear stalls, even though its a bit cramped otherwise the view from the Upper Circle make sitting there a cheaper option well worth thinking about. ", "B27 and 28: "The Sound of Music," (James from Finchley). The theatre is a Grade II listed building. Youre a bit to the side, but not enough to be craning your neck. For some odd reason, the monkey noted that A 7 has half an inch less, and that B has more, as does F. It suspects that TV recordings have caused rows to be moved and replaced, leading to the variation in legroom. This can range from anything between 6 and 18 years old depending on the production and its content. Fabulous seats. Restricted view row ends are discounted to fourth price in A to E, third I to K, and are not terrible value, feels the monkey, if you take can afford it, take K to F first in that order. No problem in seeing the yellow brick road, Dorothys red shoes or Toto the dog. The London Palladium. Operating since 1936, the site was once housed by a renowned Victorian music hall called as 'The Players' Theatre'. These are smaller theatres, including many pub theatres, which are registered with the Society of Independent theatres, unlike the West End theatre which requires a Society Of London theatre or SOLT membership. These are good seats if you do not mind not always seeing the actors feet, legroom is OK (It's never going to be better than that!) There was no one in F9 which meant we had some extra space which also made the difference. E8 I was really happy with this seat as I originally booked to sit in the upper circle, but was moved down to the dress circle it was a quiet performance and they closed the upper circle! Too expensive for the view. Designed by Gaston Laverdet and Marc-Henri Levy, the building was taken over by Warner Brothers at one point. The seating arrangements in most London theatres are typically divided into 6 sections - each section with a different view, price, and certain pros and cons. Fantastic seats. There were a lot of bad reviews for the theatre and the seats so I was a bit worried how it would be. The stalls are split into central and two side blocks by aisles. ", "B12: "The Wizard Of Oz" (February 2011), (Paul). Special Access Needs Customers: Seat reviews from fellow theatregoers for Upper Circle G27 (Upper Circle Row G Seat 27) at London Palladium. Divided into three sections by aisles running lengthways from the stage, the rows of seats fans out, getting wider towards the rear of the section following the curve of the stage. I really enjoyed the show from here I could see all of the cast and the set but felt a lot closer to the stage than I normally do in the upper circle. The London Palladium is considered to be the most famous theatre in the capital city and perhaps even in the United Kingdom, due to its musical variety shows that were televised in the 1950s and 60s and the host of famous celebrities that have performed on the theatre's stage over the years. No recommendation, but if price is all and the best of a bad situation must be made, pick these. Booking the best theatre seats since 2011. ", "D10: "A Chorus Line" (February 2013), (David Hurrell). If you must go "premium" note that premium stalls are the same price and closer to the Edna herself - also more comfortable for the tall. They only knew about the latter from hearing comments from other members of the audience sitting further back. Definitely recommend sitting here for this show", "A14: Sister Act. The Dress Circle may present legroom issues for those over around 5ft 7 tall in the front four rows particularly. My companion felt unwell having to look up at the stage. My eyes were level with the stage floor, so a little incline of the head required, but no hardship really. The auditorium has three levels Stalls, Royal Circle and Upper Circle. None of the stage was obstructed (the Red slippers where visible and the yellow brick road was clearly visible) also with plenty of room. ", "M49 and 50: For a back row the seats are well priced for the view which is excellent. If you were shorter then I suspect it'd be a struggle to see quite as much, but we were fine, and I was absolutely delighted with the seats, probably some of the best I've ever had. Right in the middle, amazing! Moulin Rouge! 2000-2023"Theatremonkey," "Theatermonkey," "Chip" and "Sammy"are registered trademarks. This policy may vary according to the production hosted, particularly for one-off concert events. ", "A16 and 17: (Elaine). This makes for a tempting combo cheap seats with a good view. "L26, 27, 28: "Joseph and the Amazing Technicolor Dreamcoat" (July 2021). I wouldn't of wanted to pay anymore than I did for these seats. Informacin detallada del sitio web y la empresa: sporatletik.com, +902128236271, +905537302446 Spor atletik outdoor, spor ayakkab, spor giyim, anta, aksesuar It has hosted many famous productions over the years, including Catherine Johnson's acclaimed Mamma Mia!. The original London theatre guide since 1995 Stay up to date with our newsletter. Anyone buying the same seats should be made aware that Stalls seats row O18/19 have very bad sight-lines as they are not staggered. Though this isn't always, monkey advice is still be careful in the back rows at the ends of this wide Circle. While we enjoyed a lot of the show, our view was very restricted - apart from H40, we could not see the rear of the stage at all, and missed some of the plot.